![]() The first volume, of ’60s and ’70s sax, organ, and pennywhistle-led township jive, is familiar largely thanks to Simon. Soweto, a compilation series on Strut Records. Take two, for instance, new volumes of Next Stop. ![]() But the musical dialogue has long been a two-way street. Americans are used to homegrown artists copping African musical styles, from Paul Simon’s 1986 Graceland, which kicked up controversy by showcasing South African mbaqanga-or township jive-at the height of apartheid, to Vampire Weekend adding bright Congolese guitar filigrees to their Ivy League-manqué lyrics.
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